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Lauren Bacall
Not a great actress, and never as effective without Bogart around, but always a stunning presence and the only person onscreen who was truly a great actor's match.
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Luminous, melancholy and brave, both tortured and torturer to onscreen partners like Grant and Bogart and directors like Hitchcock.
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Ellen Burstyn
One of the best actresses of the 70s, often playing either a weak woman with inner strength or a strong woman with inner weakness.
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Julie Christie
Still a major actress going on five decades, essentially unchangeable yet endlessly fascinating. A star seemingly indifferent to fame.
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A powerfully sensual presence in some of the defining films of the 1960s, versatile enough for comedy (The Pink Panther), westerns (Once Upon a Time in the West), and historical epic (The Leopard), an actress who crossed genres and international boundaries.
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Catherine Deneuve
Another striking presence, and among the most fearless actresses who ever lived, never more so than in Belle de Jour.
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By turns funny and sad, a heartbreaker, and a triumph of charm over technique.
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Katharine Hepburn
A grounded eccentric, an overwhelming personality who could be bizarrely subservient, she had a knack for both slapstick and pathos, and exposing her contradictions onscreen.
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Multitalented oddball, witty in drama and serious in farce.
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Barbara Stanwyck
Master of the double entendre, expert in screwball comedy, deep-dish soap opera and film noir, committed and captivating.
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